I haven't used film for nigh on 20 years and before the day I'd made the images below I hadn't been out for any landscape photography for three whole months, I just knew I'd be a bit rusty, so like a coward I just took the digital and experimented, as a way of piecing together my somewhat fragmented ideas and expectation. I'm starting to get a clearer idea of what I want now, so may be ready to actually commit some images to emulsion. But the freedom of playing around in digital has helped frame the finished look more in a way that I think will alter my approach in the use of film.
What I found in the digital edit was a combination of black and white and colour (digital layers rather than double exposure) had a dramatic effect. The ghostlike black and white seemed entirely in keeping with the metaphorical past, the sensory retreat of a long walk and yet the colours, even if subdued stand out like flashes in a dream or memory. Footpaths, like all long journeys are remembered piecemeal, certain aspects come to predominate while others shrink into the background. It is this memory like effect that I'm seeking to replicate, something transient, where one image in the mind sparks or leads strangely into another. It's something that is honestly quite difficult to put into words which I suppose is where the images come to find a purpose.
So instead of a traditional film double exposure I am considering a mixed media approach (sorry!) of digitally combining a black and white film image with a colour film image. This allows greater control over which image to combine with which and the relative density of the layers. I guess I'm still too driven by my digital workflow to see any other way. Although I'll admit it lacks the serendipity of a direct film double exposure, you'll have to allow me my 'breaking in' period with film.